bubosquared: (muse)
Sofie 'Melle' Werkers ([personal profile] bubosquared) wrote2001-06-08 08:33 am
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So. The prison story. It's hugely ... bare. Sparse. I'm hardly getting any descriptions, just a lot of dialogue and a couple of image flashes. It's got a very black&white/sepia feeling. More than ever, I'm seeing this as a movie and not as a prose piece. It also changed to present tense in the second scene. And as even, more usual, it jumps in in medio res. This is the first scene, rewritten in the present tense:

"You're new here, aren't you?"

Jason looks up from his book. "Why?"

The other man ignores the uninviting tone and smiles at him. "I'm Lars Ulrich. Mind if I sit down?"

Jason shrugs. "It's a free prison."

Ulrich snickers as he takes the chair opposite Jason. "You're a funny man, Mr ...?"

"Newsted."

"Do you know who I am, Mr Newsted?"

"You just told me. You're Lars Ulrich."

"Do you know what I am?"

"Annoying?"

"I'm your gateway to anything you want inside this prison."

"What I want," Jason glares. "Is some fucking peace and quiet."

"Unfortunately, that's one of the very few things I don't deal in. That and freedom. But if you ever want anything else, just ask for Lars Ulrich. Everyone here knows who I am."

So what do you lot think? Does the present tense work? Should I flesh it out more? Anything?

I don't like these characters. Jason is passive, Lars is a callous bastard, James is a violent bastard, and Kirk's a leech. *frown* How can I like a story about characters I despise?